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The New Confessions, by William Boyd
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"The New Confessions" is the outrageous, extraordinary, hilarious and heartbreaking autobiography of John James Todd, a Scotsman born in 1899 and one of the great self-appointed (and failed) geniuses of the twentieth century. 'An often magnificent feat of story-telling and panoramic reconstruction...John James Todd's reminiscences carry us through the ups and downs of a long and lively career that begins in genteel Edinburgh, devastatingly detours out to the Western Front, forks off, after a period of cosy family life in London, to the electric excitements of the Berlin film-world of the Twenties, then moves on to Hollywood...to ordeal by McCarthyism and eventual escape to Europe' - Peter Kemp, "Observer".
- Sales Rank: #5268318 in Books
- Published on: 1989-06-02
- Released on: 1989-06-02
- Original language: English
- Number of items: 1
- Dimensions: 5.00" h x 1.00" w x 7.00" l, .0 pounds
- Binding: Paperback
- 480 pages
From Publishers Weekly
"John James Todd, the tenacious, reflective, wise, ambitious, romantic filmmaker and adventurer who is the narrator of Boyd's fourth novel, is not a real person--except that Boyd delightfully makes him so in this ribald 'autobiography' based in spirit on Rousseau's Confessions ," said PW.
Copyright 1989 Reed Business Information, Inc.
From Library Journal
$18.95. f Early in life John James Todd, forgotten hero of the cinematic avant-garde of the 1920s and 1930s, is advised, "Make your own rut. It's the only way." Throughout a long and tempestuous life, Todd remains true to his artistic vision, from his first movies of the Great War to the last B-westerns 30 years later. The capstone of his career is a five-hour, three-screen version of Rousseau's Confessions ; it appears just as talkies arrive on the scene, eliminating the audience for his one undiluted masterpiece. Vain and impulsive, undisciplined in all save his work, Todd is spiritual heir to his beloved JeanJacques. Better than either the prize-winning A Good Man in Africa ( LJ 5/1/82) or An Ice Cream War ( LJ 4/15/83), this novel shows Boyd's considerable ability as storyteller and the rich comic sense that infuses his work with life. David Keymer, SUNY Coll. of Technology, Utica
Copyright 1988 Reed Business Information, Inc.
Review
"An entertaining and darkly comic novel, a novel given weight and ballast by the pressure of recent history."��--The New York Times
"Here is the rarest of books, the sort you want to read again--even before you've finished it the first time. . . . Boyd gives us a magnificent experience." --People
"Boyd has created an important and complex character in a vividly evoked series of settings. . . . He has written a subtle and provocative history of our time." --Los Angeles Times Book Review
"Entertaining and intellectually engaging." --Time
Most helpful customer reviews
12 of 12 people found the following review helpful.
another sweeping saga by Boyd fully entertains..
By lazza
William Boyd is a terrific storyteller. His prose is of high quality, characterizations livid and entertaining. I'm glad to say 'The New Confessions' is standard William Boyd material. It is a faux autobiography of a Scotsman as he reminisces through his full life of the first three quarters of the twentieth century. He experiences the horror of trench warfare in WW I, he becomes a famous silent film director of the Germany avant-garde cinema, and then lives several years in turbulent Hollywood before retiring on an island in the Mediterranian. He is no hero, and not a particularly nice guy. But is life story is very rich; I wish I had a grandfather like him!
However 'The New Confessions is not perfect. The ending is a bit of a disappointment, and overall the book seems too much like his 'Any Human Heart' (..which he wrote later but I read earlier). I do wish William Boyd would return to the stellar form he demonstrated with 'Brazzaville Beach', a less ambitious but much more powerful novel.
Bottom line: thoroughly competent but Boyd can do better. Still, any average effort by Boyd is worthy read.
14 of 17 people found the following review helpful.
Definitely destined to be a classic!
By Bea Quinn
For the life of me, I will never ever forget the first and last sentences of this book, the slightly-damaged hardbound edition of which I bought for only a dollar(!) in a discount section of a bookstore here in Manila in 1994! A rare, serendipitous literary find for me, indeed. Truly captivating, a biography like this of one John James Todd can only be created by one destined to be a world literary giant. Medicine, Mathematics, Philosophy, 20th Century History, Cinema -- all combined and meticulously woven in one great book of insights. It is as if every turn of a page of this book, a hologram appears and all you have to do is watch, laugh and weep as the 3-Dimensional events happen grandly, clearly, colorfully and ceaselessly before your very eyes.
3 of 3 people found the following review helpful.
A Chancy Affair
By Daniel Myers
Reading this book, I was reminded of why, despite Rousseau's many shortcomings and faults, I've always loved his Confessions: It's BECAUSE of his all too human shortcomings and faults. That said, our protagonist herein, John James Todd, is not exactly a modern day John-Jacques. The most obvious flaw is that the caustic tone Boyd lends him herein is almost exactly that of Nat Tate, the protagonist in his later book Any Human Heart, rather than the lilting, self-pitying one of Rousseau's Confessions. Still, it is impossible not to sympathise with Todd in his narrative and regard him, if not as a man more sinned against than sinning, than at least as one equally sinned against as sinning.
Todd, like Rousseau, is very unreliable as narrator, and at some parts of the book it can become a sort of pleasant distraction to discover the narrative inaccuracies: My personal favourite was his quoting (actually misquoting, as he himself says) from T. S. Eliot's poem "Burnt Norton" whilst in Germany in the 20's, even though Eliot didn't even begin writing the poem until the 30's.
It's all very confusing at times reading a book called The New Confessions by author Boyd which consists of a confessional narrative by character Todd written at the end of his life which was largely devoted to the creation of a film version of Rousseau's Confessions. It's all rather like a literary version of a Russian matryoshka doll with progressively smaller dolls enclosed inside it.
Be all this as it may, one can't help but be drawn to a cad with a vision surrounded by pious hypocrites with no vision at all, save getting and spending - which is basically the set-up here. And, underlying it all, the reiterated Boyd/Todd theme that we are all playthings of Chance, regardless of how we try to delude ourselves:
"There is no guarantee of good fortune, no assurance that your allies will always be staunch, that unfairness and indifference will not always prevail. So why in these cases (Jean Jacques's case) does the world howl paranoic, lunatic, misanthrope, ingrate, egomaniac? ........I will tell you why. Because it makes people feel better, more secure. If they can lay all the blame on the victim....Chance, the random and haphazard, the contingent, do not really dictate the way the world turns."
And who does not have more than a bit of the Rousseauvian in him in the sense that: "When I act it is because I am impelled by something irresistible within me and seldom as a result of some well-plotted strategy."
A flawed book, whose covers the prospective reader will hopefully chance to open.
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